Dear correspondent,
Say the true thing, in the right shape, on paper that will keep it.
A working companion for people who still write letters: how a condolence differs from a complaint, what 100 gsm buys you, which inks survive rain, how to fold a sheet so it opens the right way up — and a builder that lays out your draft while you think.
Shape and tone
Every letter makes the same five moves: it addresses someone by the name they would want; it says why you are writing in the first sentence; it supplies one particular — a date, a reference number, a thing they said; it names what you want to happen; and it closes in a register matched to the reader.
Which sign-off, and why
- Yours sincerely
- British usage, when you opened with a name.
- Yours faithfully
- British usage, after “Dear Sir or Madam”.
- Sincerely yours
- The American formal close, after either opening.
- Kind regards
- Warm but professional; safe with anyone you have met.
- Yours ever
- For people you would telephone without a reason.
Four errands, four shapes
Open any note below to read it.
iA letter of condolence
Use the name of the person who died. Give one specific memory — a habit, a phrase, a scene you were both in — rather than a general tribute. Do not explain the death or look for meaning in it. Offer something concrete with a time attached: I will call on Sunday beats let me know if you need anything.
iiA letter of complaint
Open with the facts in one line: what, when, and any reference number. Give only the narrative a stranger needs in order to decide. Name the remedy and a date for it. Keep the temperature low — an even letter can be forwarded without embarrassment, so it travels further up an organisation than an angry one. Keep a copy.
iiiA reference or recommendation
Say how long you have known them, and in what capacity. Make two or three claims, each with evidence bolted to it; a claim without an example reads as politeness. Give the comparison class — among the strongest of the twelve I have supervised. If you cannot write warmly, decline.
ivThanks and congratulation
Send it within the week; late and sent beats never. Name the thing precisely, then say what it changed: what you did with it, where it now sits, what it spared you. End on a line about them, not about you.
Paper and ink
Paper is half the message: the part the reader touches, and the part that decides whether your ink sits on the page or sinks into it.
iWeight and surface
Ordinary printer paper is about 80 gsm; correspondence papers run 100–120 gsm, which most pens prefer. What stops ink feathering and striking through is surface sizing, so look for paper described as sized or fountain-pen friendly. Laid paper carries fine ribbing from the mould; wove is smooth. Anything meant to be kept should say acid-free.
iiChoosing an ink
Most fountain-pen inks are dye-based and water-soluble: kind to the pen, but they run if the envelope meets rain. Pigmented and iron-gall inks resist water and light far better, and ask for more frequent flushing. A gel pen’s pigment is often more permanent than a fountain pen’s dye. Let the page dry before folding.
iiiThe hand itself
Write more slowly than feels necessary; legibility is the whole point. Slip a ruled guide sheet under unlined paper to keep lines straight, and leave a margin on all four sides — margins are what make a page look composed. Left-handers do better with a quick-drying ink.
Posting it
A letter that arrives crumpled, three weeks late, or with postage owing has already said something you did not mean to say.
iFolding and enclosing
Fold to thirds for a long business envelope, in half for a card envelope, writing inward. Put the folded top edge towards the flap, so the reader opens the sheet at the salutation rather than upside down. If you enclose anything, note it at the foot — Enc. — so the recipient looks.
iiAddressing the envelope
Set the address in block form, one element to a line, with nothing after the postcode. For international mail, put the destination country alone on the last line, in capitals. Your own address goes on the back flap, or small in the top-left corner.
iiiWhat it costs, and what goes wrong
In most countries the price depends on envelope format and thickness as much as weight, so check your postal operator’s published limits before buying a stamp. Sealing wax, ribbon and anything rigid jams automated sorting; those need hand-stamping and cost more. Never post cash; use a tracked service for anything that matters.
Draft one now
Choose an errand and a register. The builder assembles a skeleton with the five moves in order; square brackets are instructions to you, not text to send.
What stays on your desk
Whatever you put into the draft builder — the name you address, the one particular, the way you sign off — stays on this open page like a sheet left on your own desk. Nothing is kept, counted or saved, and closing the page throws the draft away for good.